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Thus the poem appears to be the perfect piece of art which also symbolizes the pure concept of beauty. What the imaginations seize as beauty must be truth, whether it existed before or not."Thus the present study is not only based upon the dissection of the rich stylistic devices incorporated for the pictorial and emotive function, but also focuses on the combined impact of the stylistic and sound devices embedded in the overall structure of the poem, that how the different parts assembled together give the poem a coherent and balanced look. He himself says "I am certain of nothing but the holiness of the heart's affection and the truth of imaginations. He is submissive to the things as they are, without trying to change or even explain them. For Keats an ideal poet is like an empty vessel to be filled with some other potential being or object. He loved poetry and beauty purely for the sake of beauty. For him beauty is valuable in itself and it can be perceived by the power of imaginations as intellect is handicapped to reach truth. But Keats is against the subjectivity of the art for the propagation of personal ideas. Coleridge tries to search truth for the solution of the mysteries of life, Shelly also intellectualizes beauty, and Wordsworth spiritualizes it. The notion of negative capability and the pure concept of beauty are the distinctive features of Keats poetry, which differentiate him from even his peers. Keats is considered to be the romantic of all romantics. The study is based upon an in-depth stylistic analysis of the poem "Ode to a Nightingale" by John Keats.
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